Предлагаю вашему вниманию любительскую запись сонаты Гайдна № 54, G-dur, XVI:40 – 18/12/1986, Звенигород. 


Также на моем сайте желающие легко найдут статью об этом концерте, опубликованную в газете «Советская культура» за 22/01/1987:



Natalia Gutman and Sviatoslav Richter play


Sonata No.1 for Cello and Piano in c, Op.32

 03/12/91 - Moscow - Live - (VHS)


 Pushkin’s Museum. “December Nights - XI”.

Brahms. Concerto no. 2 for Piano and Orchestra in B-flat, Op.83.


Sviatoslav Richter & Charles Munch. 01/11/60 – Boston. Symphony hall.

Редкое видео, предваряющее знаменитую запись Сонаты оп.111 Бетховена - 01/06/74 – Токио, зал “Эн Эйч Кэй”.


Etude No.4 in c-sharp, Op.10

Etude No.12 in c, Op.10







20/12/80 – Moscow, Grand Conservatoire Hall.

Сегодня, в день 250-летия Людвига ван Бетховена, выкладываю запись, которой, кажется, в интернете еще не было:


Piano Sonata No.17 in d, Op.31/2

14/08/67 - Dubrovnik - Live - (PT).

Дубровник. Атриум княжеского дворца. Дубровницкие летние игры.


Sviatoslav Richter


08/07/73 – Парсэ Мэле, около Тура. Xe музыкальные празднества в Турени. Амбар Мэле – Grange de Meslay. Заключительный концерт.



Piano Sonata No.3 in c, Op.19



Prelude and Fugue in g, Op.87/22  I

Prelude and Fugue in B, Op.87/21 I

Prelude and Fugue in E–flat, Op.87/19 I

Prelude and Fugue in c, Op.87/20 I



Piano Sonata No.8 in B–flat, Op.84





Romance - They loved each other - Op.40, no. 6

Nina Dorliac and Sviatoslav Richter



29/04/47 - Moscow - Live - (PT) 

Sviatoslav Richter plays Beethoven

Piano Sonata No.8 in c, Op.13, Pathétique



11/10/1993  - Rome, Teatro Olimpico.

Sviatoslav Richter plays Schubert

Fantasia in C "Wanderer", D.760, Op.15



11/10/1993  - Rome, Teatro Olimpico.

Sviatoslav Richter plays J.S.BACH  Fantasia in c, BWV 906 [with Adagio in G, BWV 968 and (incomplete) Fugue of BWV 906]



11/10/93 – Rome. Teatro Olimpico.

Sviatoslav Richter plays J.S.BACH  Prelude, Fugue and Allegro in E–flat, BWV 998.



11/10/93 – Rome. Teatro Olimpico.

Cesar Franck

Piano Trio No.1 in f-sharp, Op.1 

12/06/1983 - Rolandseck - Live - Kagan&Gutman - 3rd mvt encored - (PT)



Sonata for Cello and Piano in d

Natalia Gutman, Sviatoslav Richter


23/09/86 – Yamagata, Kenmin Kaikan - Live - encored - (PT)



Sviatoslav Richter

01/06/74 – Tokyo. EHK Hall



Bagatelle in G, Op.126/1



Piano Piece in a, Intermezzo, Op.118/1


(poor sound)

Святослав Рихтер


28/11/91 – Минск. Концертный зал (дневной концерт).


Piano Sonata No.30 in E, Op.109



Piano Sonata No.31 in A–flat, Op.110



Неопубликованное любительское видео.

Святослав Рихтер


28/11/91 – Минск. Концертный зал (дневной концерт).



Sonata in D, BWV 963

Toccata No.4 (No.1 in the Notebook) in d, BWV 913

Toccata No.7 in G, BWV 916


Fantasia in c, BWV 906

Рихтер на вокзале в Бресте, собирается ехать на концерт в Минск, который состоялся 28/11/1991 (в программе Бах и Бетховен). 


Piano Sonata No.8 in c, Op.13

Piano Sonata No.9 in E, Op.14/1

Piano Sonata No.10 in G, Op.14/2


Piano Sonata No.11 in B–flat, Op.22

Piano Sonata No.12 in A–flat, Op.26


03/10/94 - Montalto Dora - Live - (PT)




"Is an homemade recording, with 2 big troubles in the final movement of op 14.2 and in the first movement of op 22. But I think this concert  very great, and then I postet it anyways.

Montalto Dora is a little village near Ivrea, in north of Italy no so far from Torino. The theatre where took place the concert is a very poor cinema, but the Richter's performance was extremly better then 2 days later in the luxury concert hall Lingotto in Torino.

The program:


1 sonata n8  op12  patetica

2 sonata n9  op 14.1

3 sonata n10 op 14.2

4 sonata n11 op 22

5 sonata n 12 op 26  funeral march


While D. in Italy had offered this at a point in other e-print sources:

"Sorry to say those performances from the Italian tours in 1994 weren't

officially recorded . And sorry for my , as well known , horrible English : it's

hard to get a " review " by me , at least in English . I attended the " five

Beethoven' sonatas " concerts in Florence ( where the Maestro had a collapse due

to the very hot temperature in the theatre but , after a long intermission ,

played also the second part of the recital ) , in Montalto Dora and Turin . Well

, the Patйthique was not at the level of those we know from earlier recordings :

the Maestro had to " warm-up " ( I noticed almost all the pianists of a certain

age have difficulties at the beginning of a concert , probably because

phisiologic decline ) and played the Sonatas op. 14 / 1 and 14 / 2 much better .

The same thing happened also in Montalto Dora and Turin .

I would like to add a little anecdote : after Florence , Richter had to take a

rest and consequently to cancel the recital in Chioggia with the same programme

. Chioggia is a rather small town near Venice ( it is called " the little Venice

" ) that the Maestro loved ( there is a shot on the film " the Enigma " that

shows Richter wearing blue-jeans sitting astride his chair with the sea at the

back window . That shot was taken in his hotel room in Chioggia ) . There was a

very little concert society there : three persons in all , young and not rich

people . They had spent a lot for the advertisements , the playbills and so on .

When the Richter's assistant phoned them to announce the cancellation , they

felt in despair . But Richter had promised to play there and when he was back to

Italy next December he re-phoned them : " I would like to play there " . The

three fellows felt very embarassed : " Maestro , we have no money , very sorry ,

we must renounce " . " Money is not a problem , I want to play in Chioggia : I

will play for free " . And the recital took place ."

This is one from that series.


Sviatoslav Richter

06/08/85 - La Roque d’Antheron - Live - (PT)


HAYDN: Sonata No.11 in B–flat, Hob.XVI:2




Variations for Piano, Op.27




Piano Sonata No.2 in g




PROKOFIEV: Piano Sonata No.6 in A, Op.82

Рихтер последний раз исполнил эту Сонату на фестивале




Prelude No.6, Op.34

Prelude No.12, Op.34

Prelude No.23, Op.34]




14/08/67 Dubrovnik. Дубровник. Атриум княжеского дворца. Дубровницкие летние игры.

BEETHOVEN: Piano Sonata No.17 in d, Op.31/2.






Impromptu No.3 in G, D.899, Op.90, Op.90

Impromptu No.4 in A–flat, D.899, Op.90



Fantasia in C "Wanderer", D.760, Op.15




Sviatoslav Richter plays BEETHOVEN

Concerto No.3 for Piano and Orchestra in c, Op.37

02/11/74 - Florence - Live - Maggio Musicale O./Muti - 3rd mvt encored - (PT) 



Святослав Рихтер играет Чайковского, Рахманинова, Хиндемита, Шостаковича. Концерты 1966, 1978, 1983-х годов. Неизданные записи.


04/08/83 – Budapest



06/05/78 – Moscow



31/03/66 - Moscow




 23/1/80 – Moscow




16/1/91 – Padua




23/7/82 Guebwiller




27/11/79 Salzburg – SCHUBERT: Piano Sonata No.15 in C, D.840




7/9/93 Bonn




1/9/93 - Haseldorf





3/7/83 – Tours

FRANK. Piano Trio No.1 in f-sharp, Op.1. Kagan&Gutman - (PT)


FRANK_Quintet in f.flac
File Size: 52.9 MB
Download Link: 

Ravel Trio encore.flac
File Size: 19.6 MB
Download Link: 



5/8/82 – Antibes

DVORAK: Piano Quintet in A, Op.5



DVORAK: Piano Quintet in A, Op.81




20/9/80 – Warsaw



Sviatoslav Richter plays 12 selected Scriabin’s Etudes



Etude in c–sharp, Op.2/1

Etude in E, Op.8/5

Etudes in f–sharp, Op.42/2, in F–sharp, Op.42/3  I, in F–sharp, Op.42/4  I

Etude in c–sharp, Op.42/5, in D–flat, Op.42/6, in D–flat, Op.42/6   

Etude in b–flat, Op.8/11

Etude in E–flat, Op.42/8  I


Etudes in B–flat, Op.65/1, in C–sharp, Op.65/2, in G, Op.65/3


Bagatelle in C, Op.33/5

Bagatelle in F, Op.33/3

Bagatelle in C, Op.119/7

Bagatelle in a, Op.119/9

Bagatelle in G, Op.126/1

Bagatelle in b, Op.126/4

Bagatelle in E–flat, Op.126/6

Bagatelle in C, Op.119/2


16/11/58 – Kiev (daytime).




Piano Sonata No.1 in C, Op.1



Piano Sonata No.2 in f–sharp, Op.2



Variations on a Theme by Paganini, Op.35

Book I 



16/03/86 – Загреб. Koncertna Dvorana “Vatposlav Lisinski” - (PT).


Svitoslav Richter plays

GRIEG Concerto for Piano and Orchestra in a, Op.16

02/04/64 – Kiev – Live – State S.O. of Ukrain.


Conductor – Stephen Turchak


Sviatoslav Richter



Toccata in C, Op.7


05/06/1951 – Moscow, Great Conservatoire Hall – Live – (PT)


PROKOFIEV - Vision Fugitive, Op.22/20 – Lente irrealmente (encore) 


12/02/81 – Tokyo – Live – (PT)





English Suite No.3 in g, BWV 808 


24/04/91 – Москва. Большой зал детской музыкальной школы №3 (“Лира”). «Памяти Ираиды Тимофеевны Бобровской – вдохновенного организатора, неповторимой личности и дорогого мне человека.»

Andrew Clements

The Guardian, 7/11/2012


This is an invaluable record of an exceptional recital Sviatoslav Richter gave at the Royal Festival Hall in London in June 1975. I doubt that any of us who were lucky enough to be there will ever forget the experience. After 37 years, this CD, taken from the BBC's recording of the concert, conveys the electricity of the occasion and the power of Richter's playing more vividly than anyone might have dared hope.


Richter's musical presence and the sharply focused energy of his playing course through every bar of the all-Beethoven programme. The two great sonatas that frame it may date from opposite ends of Beethoven's composing life, but Richter's account of the C major Op 2 No 3 seems to contain within it the germ of what developed 24 years later into the unparalleled scope of the Hammerklavier Sonata, Op 106, though the titanic scale of the playing is always balanced against moments of svelte beauty and breathtaking technical crispness.

After three of the Bagatelles from Op 126, each one pushed to the expressive limits of what its small frame can contain, Richter launches into the Hammerklavier – the first chord, I remember, was played almost before he was settled on the piano stool – and the tension of the first movement is remorselessly ratcheted up. After it, the scherzo is an almost throwaway relaxation and the slow movement a gorgeously expansive hymn. The finale when it arrives, fugue and all, is simply immense in its grasp of the musical complexity – every voice in the fugue is brilliantly characterised, the shape of the whole thrillingly conveyed.


Extraordinarily, Richter's encore in the recital was a repeat of that finale, presumably because he felt one passage in it had been muddled the first time around. The disc doesn't have space for the encore, and the whole sonata is, I'm pretty sure, presented here just as it was at the Festival Hall. If any single disc is going convince sceptics of why so many of us regard Richter as the greatest pianist of the second half of the 20th century, then it's this extraordinary 80 minutes of music-making.


Concerto No.1 for Piano and Orchestra in b–flat, Op.23

04/03/54 – Budapest – Live – Magyar Radio Television O./Komor – (PT)




(29/04/1972 – 06/10/1941)

Valse “Old Vien” - 2nd mvt



 Sviatoslav Richter (piano)
  01/01/88 - Moscow - Live - (PT)



31/    07/93 – Tarusa – Live – Pisarenko – (PT) 


From Reminiscences of Mountains and Fjords, Prologue, Op.44/1 (Из цикла «Воспоминания о горах и фьордах», Пролог);

I Love Thee, Op.5/3 (Люблю тебя);

Hearing a Song, Op.39/6 (Слышу ли песни звуки);

The Mountain Thrall, Op.32 (В плену гор, баллада);

The Way of the World, Op.48/3 (В вечерний час);

From Monte Pincio; Op.39/1 (Монте Пинчио);

The Time of Roses, Op.48/5 (Время роз);

A Dream, Op.48/6 (Сон);


To the Motherland, Op.58/2 (К отчизне);

The Princess, EG 133 (Принцесса);

Say What You Will, Op.21/4 (За добрый совет);

I Walked One Balmy Summer Eve, Op.26/2 (Летний вечер);

You Whispered That You Loved Me, Op.26/3 (Ты шептала. Тщеславная ?);

The Goal, Op.33/12 (Моя цель);

Last Spring, Op.33/2 (Весна);

Eros, Op.70/1 (Эрос);


[With a Waterlily, Op.25/4 (С водяной лилией);


A swan, Op.25/2 (Лебедь)]







Рихтер в Японии.

Возможно, весна 1984 г.

I was trying to attend all Richter's concerts at that time, He was one of the greats. It was very exciting. To me he was god-like. Whatever he was playing, I accepted it. I didn't care whether his interpretations satisfied some conventional ideas or not. Actually, the less they were so, the more interesting they sounded to me. Then I saw it more distinctly  how freedom of artistic expression could create work of genious in itself, unrelated to some long established boring  traditional practices. Listening to Richter  was like watching Mont Blanc emerging from the clouds in the sky. Then, after Richter would finish playing, the clouds would seal the view up again, and we saw only some hillls around.

Sviatoslav Richter plays LISZT Etudes d'execution transcendante:

27/06/57 – Kiev

Etudes d'execution transcendante:

No.1 – Preludio, No.2 - in a,


No.3 – Paysage,
No.5 - Feux follets in B-flat.

Предлагаю послушать уникальную запись, сделанную Олегом Каганом в Чите и любезно подаренную мне. Перед выступлением Рихтер дает наставления ведущей концерта и немного беседует с Олегом.

CHOPIN Ballade No.1 in g, Op.23  


12/09/86 – Tchita (Siberia).


Etudes Op.10:

No.6 in e–flat, No.10 in A–flat, Op.10, No.11 in E–flat, Op.10, No.12 in c, Op.10.

Etudes Op.25:

No.5 in e, Op.25, No.6 in g–sharp, Op.25, No.7 in c–sharp, Op.25, No.8 in D–flat, Op.25, No.11 in a, Op.25

[Etude No.12 in c, Op.25]


12/09/86 – Tchita (Siberia).


Чита. Читинский областной драматический театр.

Sviatoslav Richter



Concerto No.5 for Piano and Orchestra in G, Op.55


27/09/58 – Warsaw – Live – Warsaw P.O./Witold Rowicki– excerpt


Nina Dorliac and Sviatoslav Richter.


Franz Schubert. Die Krahe (Ворон)


song for voice & piano (Winterreise), D. 911/5 (Op. 89/5)

("Am Brunnen vor dem Tore")


Личная премьера Рихтера:


Prelude, Choral and Fugue 



28/01/1946 – Москва, клуб Союза советских писателей




Concerto No.14 for Piano and Orchestra in E-flat, K.449


27/5/73 - Moscow - Live - Moscow Ch.O./Barshai - (PT)


BEETHOVEN. Concerto no. 3 in c, Op.37

27/05/73 - Moscow - Live - Moscow Ch.O./Rudolf Barshai.

Grand Conservatoire Hall




Sviatoslav Richter


Concerto No.2 for Piano and Orchestra in g, Op.22 (the first performance)


19/05/93 – Vienna – Live – Vienna S.O./Oleg Caetani – (PT)


Sviatoslav Richter




Fantasia in C, Op.17


Fantasiestuck – Aufschwung, Op.12/2 (encore)


22/06/80 – Nohant – Live – (PT)


poor sound


Sviatoslav Richter plays


Concerto for Piano and Orchestra in a, Op.54

17/12/74 – Minsk – Live – Minsk O./Vl.Moshenski – (PT)

Poor sound



Запись адресована тем, кто, несмотря на аппаратное несовершенство, способен услышать шедевр. 

Sviatoslav Richter plays


Concerto No.1 for Piano and Orchestra in b–flat, Op.23

Leningrad – L.P.O./Mravinsky


mvt 1



mvts 2-3




Святослав Рихтер.

«Музыкальные дома», часть 1. Передача канала "Культура".


Рассказывают Людмила Кренкель, Элла Селькина, Валентин Берлинский, Эльвира Орлова, Милица Нейгауз, Алина Логинова.


Автор и режиссер Елена Шапчиц.


Святослав Рихтер.

«Музыкальные дома», часть 2. Передача канала "Культура".


Рассказывают Валентин Берлинский, Милица Нейгауз.


Автор и режиссер Елена Шапчиц.



Sviatoslav Richter


Piano Piece in e–flat, Intermezzo, Op.118/6



15/04/65 – New York – Carnegie Hall


Sviatoslav Richter plays CHOPIN Polonaise in c, Op 40 no 2



14/01/52 - Moscow, Grand Conservatoire Hall - PT recording


Интересный рассказ Владимира Емельяновича Захарова, бывшего директрора Большого зала Московской консерватории, о великих музыкантах, выступавших в БЗК (А.Рубинштейн, Э.Гилельс, С.Рихтер, О.Каган, В.Софроницкий, Д.Ойстрах, М.Ростропович, М.Юдина). К сожалению, фрагмент.

Домашняя репетиция Рихтера

Private rehearsals at home 1957

1 Liszt: Scherzo and March

2 Liszt: Polonaise No. 2 in E

3 Schubert: Sonata No. 13 in A, D. 664, Op. 120 [3rdmovement]

4 Schubert: Sonata No. 14 in a minor, D. 784, Op. 143 [3rd movement]


With Nina Dorliac:

5 Bach: Weichet nur betrubte Schatten, BWV 202

6. Bach: Drum sucht auch Amor sein Vergnugen, BWV 202

7. Bach: Phobeus eilt mit schnellen Pherden, BWV 202


Житомир, март 2016. Конференция, посвященная 101-й годовщине Святослава Рихтера. Бруно Монсенжон в школе им.Рихтера.




04/11/92 – Гамбург. Hamburg. Musikhalle.


Polonaise in c–sharp, Op.26/1

Polonaise in A, Op.40/1

Polonaise in c, Op.40/2

Polonaise – Fantasy in A–flat, Op.61



Fantasy in b, Op.28

Poeme–Nocturne, Op.61

Dance "Guirlandes", Op.73/1   

Dance "Flammes sombres", Op.73/2 

Poeme – "Vers la flamme", Op.72


[Piano Piece "Ironies", Op.56/2


Prelude No.1, Op.74]


Будапешт, Большой зал Академии им.Листа. Святослав Рихтер и оркестр Радио и Телевидения, дирижер Вильмош Комор, 4-е марта 1954 г.

П.И.Чайковский. Концерт №1 для ф-но с оркестром си-бемоль минор, соч.23